Art

Musée Nicéphore Niépce: Thought / Classification: 50 years of the Museum

Musée Nicéphore Niépce: Thought / Classification: 50 years of the Museum
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On the event of its fiftieth anniversary, The Nicephore Niepce Museum (1972) proposes to raise the veil in a dimension that’s hidden from the general public’s standpoint: warehouses, the richness of its collections. It’s not possible to indicate the whole lot, not a consultant of the choice. A catalog (September 2022) incorporates its historical past and buying insurance policies. Subsequently, with a purpose to be delicate to range and amount, in order to not repeat the sustainable trajectory, the general public is invited to a enjoyable and poetic method to those areas. George Perec.

A follower of rankings, lists, inventories, nicknamed the “loopy taxonomist,” Perec (1936-1982) challenged and ironized in his try to “assume / classify” this anthropological mania for order within the universe. Man should classify the world with a purpose to perceive it, to consider it. Every thing as a replacement, a spot for everybody. This nice “mania” is on the coronary heart of the museum’s actions. No matter its area of information, a museum acquires, inventories, classifies, preserves, transmits, transmits.

For 50 years, the Nicéphore Niépce Museum has carried out these missions. With one peculiarity, nevertheless: its topic, pictures.

The abyss.

The daughter of the 20th century and its revolutions, pictures has, in its look, a hard and fast thought, a utopia. Because of this, we are able to present the whole lot and consider that we are able to take the entire world to museums. Believing that we are able to make a common and correct assertion of issues with a purpose to protect their vivid picture. Believing that we are able to overcome the passage of time, forgetfulness and destruction. We’re additionally satisfied that we are able to get to know and perceive the world higher, intimately, by dissecting, by listening in all its corners, from the infinitely nice to the infinitely small.

The picture did not fail (?) And the Nicéphore Niépce museum’s reservations bear witness to this. For 2 centuries, pictures has undoubtedly served our taxonomic obsessions, each particular person and collective, scientific and documentary, novice or creative. The character of the museum’s collections and their group typically result in the vertigo of Perecquian. The vocabulary listed by the author can also be distributed by way of pictures: “Catalog, archive, classify, minimize, depend, group, default, record, quantity, type, type, set up, rewind, distribute”. Then “divide, divide, separate, characterize, mark, outline, separate, oppose, and so on. ” However opposite to what they trigger, none of those operations might be goal. Neutrality and integrity don’t exist. There’s all the time an attention-grabbing grid, pre-options, and out-of-frame.

Fortuitously, Perec reminds us with humor and humility that the seek for omniscience is doomed to failure. Our makes an attempt to prepare data typically turn into out of date as quickly as it’s over, and might be “Hardly simpler than the preliminary anarchy” …

Thought / Classification: 50 Years Museum – Tribute to Georges Perec
July 2, 2022 to September 25, 2022
opening: Friday, July 1, 6:30 p.m.
Nicephore Niepce Museum
28 Messaging Kaia
71100 Chalon-sur-Saone, France
www.museeniepce.com

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